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Yasmin Levy
+ Andrew Cronshaw (Eva Katzler is indisposed)
Union Chapel | London
Thursday 31 January Doors 7pm
+ Book now
Union Chapel
Compton Terrace, London, N1 2UN
Tel: 020 7226 1686 Venue (not ticket sales)
http://www.unionchapel.org.uk/whatson/index.php/20080101.html

Tickets available on the door £20 cash sales only.

Doors Open 7pm
Andrew Cronshaw 7.45-8.15
Interval 8.15-8.35
Yasmin 8.35-10.05


“I close my eyes and Yasmin Levy fills my head with her voice, searing, soaring, sighing. When she stops, I unwillingly open my lids and face reality… I open the microphone and struggle to find words.” CHARLIE GILLETT, BBC RADIO LONDON

"Aside from her stunning looks, Levy’s biggest asset is her voice, which is versatile, sensuous, and brimming with emotion.” Phil Meadley, THE INDEPENDENT

"Nothing can really prepare you for the beauty and intensity of her performance…she's singing from somewhere deep down, drawing on a bottomless reserve of passion and pain." fROOTS

"Of striking charisma, Yasmin delivers a full range of emotions reminiscent of Lebanon's first lady of song, Farouz." MIDI LIBRE, FRANCE

The Ladino singer was born Yasmin Levy in Bakaa, Jerusalem, Israel, on 23 December 1975. A “very small, beautiful neighbourhood”, Bakaa is filled with narrow alleyways and warrens dating back many hundreds of years. The area is still a vital part of the history of this great city and, for Yasmin, her roots. She still lives in the flat to which her parents moved when they were first married.

Family and roots are very important to Yasmin and juggling family and professional commitments made easier by the fact that her husband Ishay works and travels with her, playing darbuka in most of her shows and handling many of the logistical arrangements of touring. Whenever she has time off, she loves to return to Jerusalem and spend time with her mother, brothers, sister and their families.

Yasmin’s musical interests began as a child. At six years of age, she was taught to play piano and she continued with her studies until age eighteen. At twenty, she began singing seriously but it wasn’t until a year later that she made her first public performance as a guest in a concert given by her mother. Other local concerts followed but it wasn’t until WOMEX 2002 that she made her international début and embarked on a singing career.

Her first album Romance And Yasmin focused on Ladino music and Turkish influences and was greatly influenced by the work of her late father Yitzhak Levy. He was born in Turkey in 1919 and, at the tender age of 3, moved with his family to Palestine. As a grown man he worked as both a composer and cantor. After the creation of the state of Israel he was appointed head of the Ladino department at Israel's national radio station. His life's work was devoted to the collection and preservation of the songs of Sephardic Jews: these songs had been passed down orally from generation to generation over a period in excess of 500 years. During his lifetime he published 4 books containing Sephardic romances and another 10 volumes of liturgical songs. He also recorded many of these same songs for the national radio. Sadly, Yitzhak Levy passed away when Yasmin was little over one year old. Nevertheless she grew up knowing her father's love for this music and his heritage as he had also taught her mother Kochava the Sephardic repertoire and she, in turn, passed the songs on to their daughter.

When Yasmin was preparing her first disc Romance And Yasmin, she was she says: “helped enormously by the books and recordings my father left behind”. The songs and arrangements on this first album came very naturally to the singer, based on what she had learned from home. She says: “The choice of songs was easy for me as they are all songs to which I have an emotional attachment”. For her second album, the highly acclaimed La Juderia, Yasmin continued her work with the Ladino tradition but began to experiment more with the flamenco influences that date back to her residence in Spain during 2002. In that year, she was awarded a scholarship by the Christina Herren Foundation to study flamenco in Seville. There she was influenced strongly by the unique singing style that she then added to her own Sephardic one.

External links:
Official website
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